Her father taught her the rudiments of guitar technique and introduced her to folk music, a love of which stayed with her throughout her life. Although she sang from early in her life, it seems clear that she was not particularly interested in pursuing a professional career, happy enough to get gigs as a back-up singer. However, she did produce some demo tapes along the way and, fortuitously, these were heard by Chuck Brown, with whom she subsequently made an album ("The Other Side") in 1992.

Attempts to secure Eva a record deal of her own failed - not for the first time, record labels were confused by an artist's eclectic approach and jazz, folk, blues, gospel and standards all featured in Eva's repertoire. Instead, therefore, Eva's music was showcased on a live, self-produced (with long time admirer Chris Biondo) CD "Live At Blues Alley". Apparently at the time she was unhappy with the results but it's hard to see why - it's not often we get to hear 'Cheek To Cheek', 'Autumn Leaves' and other standards co-existing so happily with interpretations of 'People Get Ready', 'Bridge Over Troubled Water' and 'Take Me To The River'. It was rightly hailed at the time as one of the finest solo debuts of the period and sold well regionally despite minimal promotion and advertising.

As part of the compromise which led to Cassidy agreeing to the release of the live CD, everyone had agreed to immediately begin work on a studio follow up which was eventually released posthumously as "Eva By Heart", a truly astonishing album of tremendous depth and variety. Much of the material was recorded at a time when Eva was already well aware of her illness and credit must also go to Chris Biondo for the way he put the finished product together for official release. Superb interpretations of traditional material ('Wayfaring Stranger') sat comfortably alongside blues standards ('Blues In The Night', 'Need Your Love So Bad') and more contemporary material (Christine McVie's 'Songbird') - all performed with an emotional depth rare in popular music. Cassidy also had great intonation and control and the whole sound is complemented by sympathetic accompaniment, including her own fine guitar and piano playing. The album is a delight from start to finish (it's re-promotion in the UK includes a bonus and uncredited version of 'Dark End Of The Street'). There is a compilation of her two official releases ("Songbird") but everyone should really indulge in the two original albums. The 2000 CD release "Time After Time" focuses on previously unavailable material and is a fine showcase for Cassidy's wonderful take on other people's material (including Paul Simon, Joni Mitchell, Bill Withers and, erm..Cindi Lauper!). If you want to investigate the wonderful and apparently often undervalued art of song interpretation, look no further. Further releases of what was basically demo material have followed and the law of diminishing returns has inevitably kicked in, but there always something to enjoy, even so.

The Primer was slightly uncomfortable jumping on what seems like a Cassidy bandwagon following Eva's untimely death but such worries are far outweighed by her undeniable talent - anyone with an interest in blues, folk and R&B; should investigate immediately.
As Shirly Horn stated so simply - "What a Voice"